Reimagining the nineteenth-century text The Last of the Mohicans from the contemporary perspective of an urban Nisga'a person whose relationship to land and traditional knowledge was severed by colonial progress, Abel explores what it means to be Indigenous without access to familial territory and complicates popular ideals about Indigenous storytelling.
Reimagining the nineteenth-century text The Last of the Mohicans from the contemporary perspective of an urban Nisga'a person whose relationship to land and traditional knowledge was severed by colonial progress, Abel explores what it means to be Indigenous without access to familial territory and complicates popular ideals about Indigenous storytelling.