The avant-garde of the 1920s
The avant-garde of the 1920s
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After the horrors of World War I, Latin American writing turned away from what many saw as ornamental and frivolous experimentation. This program studies the so-called "criticism of Modernismo within Modernismo" in which language reached back to a simpler, more intimate, less urban-centered framework. Investigating the work of several poets and authors of the period-including Enrique Gonzalez Martinez, Julio Herrera y Reissig, Maria Eugenia Vaz, Leopoldo Lugones, Delmira Agustini, Ramon Lopez Velarde, and Cesar Vallejo-the program reveals complex dynamics of nationalism and cosmopolitanism, Western literature and indigenous voices, and the spirit of breaking with the past and of belonging to an artistic tradition.
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