In his new poetry collection, Forests of the Medieval World, Don Coles explores the power of memory. Shadowy figures from the past -- a woman in a car, a child at the seashore, a father’s college basketball teammates -- float through the poems of the book’s first section. A modern tale of love is intertwined with an account of the destruction of Europe’s medieval forests. The poet recalls the baseball games and adventure books of his boyhood; he dreams of what death would be like for Cambridge University’s Wren Library; and he listens to ‘long-dead fathers’ giving counsel to ‘their troubled daughters’ in a nursing home. Rounding out the volume is a haunting sequence of poems about the private world of Norwegian painter Edvard Munch.
In his new poetry collection, Forests of the Medieval World, Don Coles explores the power of memory. Shadowy figures from the past -- a woman in a car, a child at the seashore, a father’s college basketball teammates -- float through the poems of the book’s first section. A modern tale of love is intertwined with an account of the destruction of Europe’s medieval forests. The poet recalls the baseball games and adventure books of his boyhood; he dreams of what death would be like for Cambridge University’s Wren Library; and he listens to ‘long-dead fathers’ giving counsel to ‘their troubled daughters’ in a nursing home. Rounding out the volume is a haunting sequence of poems about the private world of Norwegian painter Edvard Munch.