The playwright's own selection of his early plays which matter; which for him have stood the test of time; which represent, as he once said, his “classical veneer.” In them he honed his considerable and unique dramatic talent along “that fine line between the serious and the comic,” in settings outside the North American locales of his work since the 1980s.

Beyond Mozambique --Zastrozzi --|t Theatre of the film noir -- Nothing sacred.