Now a criminal-justice professor, Cabana spent 20-plus years in corrections in Massachusetts (his home state), Florida, Missouri, and Mississippi; he began his postcollege prison work at the Magnolia State's notorious Parchman Penitentiary and closed his administrative career as its superintendent and the state's interim corrections commissioner. This memoir blends three stories: Cabana's career; the shift in his views on capital punishment; and the relationship he developed with convicted murderer Connie Ray Evans, the second man whose execution Cabana supervised as warden at Parchman. As his preface concedes, Cabana is 'not John Grisham' : his narrative is often overwritten and many significant issues of prison administration receive less attention than readers might expect. But Death is not written for a professional audience: it is a plea to ordinary citizens to reject the 'misleading political rhetoric and journalistic sensationalism' that paint capital punishment as 'the quick fix, the simple solution, to a very complex problem.' Promotion, including a Phil Donahue appearance, may help bring Cabana's heartfelt words to their intended audience. - Mary Carroll-. In this folksy narrative, Cabana, a prison official for 25 years, recounts his experiences and his change of heart about the death penalty. Cabana elaborates on his early fascination with corrections systems, which brought him from his native Massachusetts to the Parchman Penitentiary in Mississippi. When Cabana arrived at the untraditional Parchman in 1972, inmates planted acres of cotton and vegetables, and slaughtered their own cows and pigs; they were housed in small 'camps' scattered acros the 20,000-acre facility. Cabana left Parchman a year later, returning as warden in 1984 to find Parchman considerably altered--it was 'just another prison,' lacking crops but containing a new gas chamber. Cabana avoided entering the chamber for years, but he did visit the men on death row and notes that all of these inmates share the same deeply disadvantaged background. He is closest to Connie Ray Evans, a relatively mild soul who had killed a convenience-store clerk. Cabana describes with real affection--and a twinge of guilt--how their relationship developed, despite their differences. Evans, remorseful and philosophical, actually provides comfort to Cabana about the nature of their friendship. In 1987, faced with a rising tide of anti-crime fervor, the state of Mississippi randomly chose inmates to execute, and Evans was the second. In one horrifying scene, Cabana met with Evans's mother, who pled in vain for her son's life. A few days later, Cabana oversaw Evans's execution, and within the year he left prison corrections forever. Cabana argues ardently and rationally against the death penalty, not because of his sympathy for Evans, but because it's clear to Cabana that executing criminals does nothing to eliminate the roots of criminal behavior. A gentle and affecting addition to the Dead Man Walking canon. (illustrations, not seen)-.

Includes index.