Beginning with the proposition that there exist uniquely cinematic elements of meaning and structure, Stefan Sharff clearly and systematically lays the foundation for "literacy" in cinema -- a sensitivity to the aesthetic elements intrinsic only to film. Sharff presents the basic elements of structure, modes of expression, and rules which he argues create a specific "language" and "syntax" of cinema.

On cinematic structures -- On cinematic "syntax" -- The master plan -- Separation -- Parallel action -- Familiar image -- Slow disclosure -- Cinesthetic movements -- Multi-angularity -- The master shot discipline.