A man’s relationship with a chair becomes a symbol of exploitation in this extraordinary absurdist fantasy directed by Claude Jutra and Norman McLaren. What if the revolt by this inanimate object led to a more egalitarian order of things?
A man’s relationship with a chair becomes a symbol of exploitation in this extraordinary absurdist fantasy directed by Claude Jutra and Norman McLaren. What if the revolt by this inanimate object led to a more egalitarian order of things?
