Omar Ali is a ticking time bomb. A phone call from his ex-girlfriend Anna's father plunges him into darkness when he learns that she's committed suicide. Clueless and hurting, Omar turns to violence and petty crime to cope. His nefarious activities catch the attention of the RCMP, who pressure him into becoming an informant at a mosque they suspect harbours a terrorist cell. Unravelling from insomnia, sorrow, and rage, Omar grasps at his last shred of hope, embarking on a quest to find the note he's convinced Anna left for him. There Has to Be a Knife examines expectations - both intimate and political - on brown men, exploring ideas of cultural identity and the tropes we use to represent them.