Kim Lord's grounbreaking new exhibition, Still Lives, features portraits in which she depicts herself as famous murdered women, and the works are as compelling as they are disturbing, implicating a culture that is too accustomed to violence against women. When Lord never shows up to her own gala, editor Maggie Richter gets drawn into her own investiation of Lord's disappearance, fearful that the artist might have met the same fate as the women in her paintings.